TULIP VIII. Amber Hour

Photography on plaster | 33x55cm

320

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A single bud rests among its leaves in a light the colour of late afternoon, when the sun forgives everything it touches. The relief turns to warm sand, to fired clay, to skin. Wrapped in that amber hour, the bud is in no hurry to open — as if it knew that being held is also a way of blooming.

Tulip

Tulip (Tulipa spp.), native to Central Asia and long cultivated in Anatolia and Europe, offers crisp cup-shaped blooms in luminous colours; a spring icon symbolizing elegance and fleeting beauty.

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cobelio tulip cover image
BLOGPOST:

Tulips: The Broken Beauty That Conquered the World

Three flashes to begin: a single bulb that once cost the price of a mansion, a garden party illuminated by tortoises carrying candles, and a cut stem that stubbornly grows an inch a day in your vase. The tulip is not simply a splash of spring color; it is a...
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Reflect, conceptualize, plan, collect, select, position, illuminate, photograph, and work digital magic… this is how half of our artwork is created, the soul and essence, the image.

Measure, mix, spread, shape, wait, smooth, print, merge, paint, sign, and protect… now the artwork is complete! Photography and plaster. Two-dimensional and three-dimensional.

Nature that feels natural.

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ABOUT THE ARTIST

The artists play with the viewer's limit to recognize the photographed nature, they seek to suggest, to attract towards a bridge between the dreamlike and the real.

They make a study on sacrifice as a means of creation. The painful suppression of a part generates a new whole, a reality with unsuspected edges where subtracting gives us an unexpected abundance of beauty and visual interest. In a parallelism with time spilled in grey, boring or distressing moments that, in some way, give us a broader perspective of what it means to live and allows us to distinguish and covet the sweet stages.

Thus, in their photographs, the form faces a process of transformation, subjected to the dominion of light to be reborn in an unknown version. The volume is sectioned revealing silhouettes previously unnoticed. Different planes, different moments captured in the same vision.

At this point, the material aspect of the work plays a major role. There is a primitive emotional connection that artists ascribe to natural, earth-related, irregular and ancestral materials such as clay or plaster. This made it inevitable to embark on an arduous process of self-taught research, with countless trial and error until they were able to transfer all the power of their images from the screen to the plaster. Now, photography and volume merge into a single entity, in an unexplored materiality far from traditional supports.

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