TULIP IX. The Storm Inside
Textured Wall Art | Photographic relief in plaster | Unique piece | 33x55cm
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Ink-dark petals swirl like a storm caught mid-turn, all wind and torn silk. And yet the plaster holds it effortlessly, the way a calm mind holds a difficult day. Strength and fragility trade places so many times here that they stop being opposites. What remains is energy — visible, tangible, alive under your eyes.
Tulip
Tulip (Tulipa spp.), native to Central Asia and long cultivated in Anatolia and Europe, offers crisp cup-shaped blooms in luminous colours; a spring icon symbolizing elegance and fleeting beauty.
Think, plan, collect, select, position, illuminate, photograph and rework the image until it stops describing what was there and starts saying what we feel. That is the first half of the work.
Measure, mix, spread, shape, wait, smooth, transfer, merge, seal and sign. The matter completes the work.
Image integrated into the plaster. No paper, no film — what you see and touch is the relief. One unique image for each unique piece. Two-dimensional and three-dimensional. Nature that feels natural.
ABOUT THE ARTIST
The artists play with the viewer's limit to recognize the photographed nature, they seek to suggest, to attract towards a bridge between the dreamlike and the real.
They make a study on sacrifice as a means of creation. The painful suppression of a part generates a new whole, a reality with unsuspected edges where subtracting gives us an unexpected abundance of beauty and visual interest. In a parallelism with time spilled in grey, boring or distressing moments that, in some way, give us a broader perspective of what it means to live and allows us to distinguish and covet the sweet stages.
Thus, in their photographs, the form faces a process of transformation, subjected to the dominion of light to be reborn in an unknown version. The volume is sectioned revealing silhouettes previously unnoticed. Different planes, different moments captured in the same vision.
At this point, the material aspect of the work plays a major role. There is a primitive emotional connection that artists ascribe to natural, earth-related, irregular and ancestral materials such as clay or plaster. This made it inevitable to embark on an arduous process of self-taught research, with countless trial and error until they were able to transfer all the power of their images from the screen to the plaster. Now, photography and volume merge into a single entity, in an unexplored materiality far from traditional supports.
